Throughout my working practice the comprehensive contemplation of portraiture, painting and photography has given way for an expanding canon of work outside the typical means of production. The development of aesthetic quality alongside the context of a flawed human psyche has allowed the paint throwing process to mature into a complex amalgamation of creation and destruction. The process is purposefully initiated by the artist alone however does naturally lend itself towards the collaborative effort of many individuals, with the audience often having a direct stake in the artwork’s production. The visceral application of paint has extended into a striking distortion of material/medium, which serves to emphasis the chaotic and disturbing nature of the content despite any misleading interpretations of colour. Principally this self-reflective odyssey attempts to paint the sacrificial anxieties of human action through a series of portraits and transgressive live performances.

 

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